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		<title>&#039;Bad Romance,&#039; &#039;Single Ladies,&#039; And 9 Other RIDICULOUS Songs Played On A Bell &#8230;</title>
		<link>http://www.sonicmusicproduction.com/music-production-studio-equipment/bad-romance-single-ladies-and-9-other-ridiculous-songs-played-on-a-bell/</link>
		<comments>http://www.sonicmusicproduction.com/music-production-studio-equipment/bad-romance-single-ladies-and-9-other-ridiculous-songs-played-on-a-bell/#comments</comments>
		<pubDate>Tue, 31 Aug 2010 04:03:11 +0000</pubDate>
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				<category><![CDATA[Music Production Programs]]></category>
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		<category><![CDATA[Music Production Studio Equipment]]></category>

		<guid isPermaLink="false">http://www.sonicmusicproduction.com/music-production-studio-equipment/bad-romance-single-ladies-and-9-other-ridiculous-songs-played-on-a-bell/</guid>
		<description><![CDATA[Ding-Dong, Ding-Dong, is it just us or does the sound of a bell tower bring you back to your co-ed days? Without knowing exactly how a carillon works, we do know that the bells typically produce haunting and beautiful reminders of what time it is, as well as vaguely religious tunes. But it turns out, [...]]]></description>
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<p>Ding-Dong, Ding-Dong, is it just us or does the sound of a bell tower bring you back to your co-ed days?  Without knowing exactly how a carillon works, we do know that the bells typically produce haunting and beautiful reminders of what time it is, as well as vaguely religious tunes. But it turns out, if you listen closely enough, you might just catch the carillonneur rockin&#8217; out to a more contemporary tune.  You haven&#8217;t truly lived until you&#8217;ve walked to class to a soundtrack of &#8220;Single Ladies&#8221; echoing across the quad.  Enjoy the best versions of popular songs played on a bell tower and vote for your favorite!</p>
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		<title>A Triumph of Pure Packaging</title>
		<link>http://www.sonicmusicproduction.com/music-production-how-tos/a-triumph-of-pure-packaging/</link>
		<comments>http://www.sonicmusicproduction.com/music-production-how-tos/a-triumph-of-pure-packaging/#comments</comments>
		<pubDate>Tue, 31 Aug 2010 04:01:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Music Production How-To's]]></category>
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		<description><![CDATA[By WILL FRIEDWALD When Miles Davis was 9 or 10, his &#8220;Uncle Johnny&#8221; bequeathed to him an old second-hand horn; a few years later, Miles&#8217;s father observed that the boy had grown very serious about practicing and decided to buy him a brand-new trumpet for his 13th birthday. Davis would gradually make himself into, quite [...]]]></description>
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<h3>By <a href="http://www.wizardrss.com/search/term.html?KEYWORDS=WILL+FRIEDWALD&amp;bylinesearch=true" >WILL FRIEDWALD</a>                </h3>
<p>When Miles Davis was 9 or 10, his &#8220;Uncle Johnny&#8221; bequeathed to him an old second-hand horn; a few years later, Miles&#8217;s father observed that the boy had grown very serious about practicing and decided to buy him a brand-new trumpet for his 13th birthday. Davis would gradually make himself into, quite possibly, the most important trumpet player in American music after Louis Armstrong. Surely, Davis wasn&#8217;t the greatest virtuoso—many others could play higher, faster, or louder—but he did more with the instrument, took it into more new areas, and pioneered more kinds of music than almost anyone else in jazz.</p>
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<div readability="1">    <cite>Getty Images</cite>
<p>Miles Davis in 1988</p>
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<h3>&#8216;The Genius of Miles Davis&#8217;</h3>
<p>Columbia/Legacy</p>
<p>                    <em>Scheduled for release on Sept. 14</em>                </p>
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<p>For the first time, a new release celebrates not just the sound of Davis&#8217;s trumpet but the sheer physicality of the instrument. Scheduled for release by Columbia/Legacy on Sept. 14, &#8220;The Genius of Miles Davis&#8221; is an actual trumpet case housing 43 compact discs, as well as a working trumpet mouthpiece (a replica of Miles&#8217;s own), plus such &#8220;extras&#8221; as a lithograph of one of Davis&#8217;s own artworks and a T-shirt. The new release is a triumph of pure packaging: The case contains eight previously issued boxes (now sub-boxes), among them the six-CD &#8220;Miles Davis &amp; John Coltrane: The Complete Columbia Recordings 1955-1961&#8243; and the five-CD &#8220;The Complete Jack Johnson Sessions&#8221;; there is no previously unreleased or even newly remastered music in the entire production. I would hope that anyone purchasing one of the 2,000 copies of this numbered and limited edition, which weighs a whopping 21 pounds and costs an even more whopping $1,199, would own a display case to house it in—or even an altar.</p>
<p>For roughly 50 years, the concept of the record album—whether in LP or CD format—engendered an agreed-upon ratio of music to packaging. When you bought an album, particularly something historical (which, in the classical music field, is practically everything), you generally knew how much you were getting in terms of photos, lyrics and liner notes. In the past five years or so, the music to packaging relationship has headed in two radically disparate directions: While younger listeners download sound files (both legally and otherwise) with no packaging at all, the older demographic supports releases with increasingly elaborate boxes, booklets (by now genuine hardcover books), and other paraphernalia, of which &#8220;The Genius of Miles Davis&#8221; is merely the most extreme.</p>
<p>Why are such spectacular, high-ticket releases flourishing in an age when physical CD sales (of individual discs, at least) are steadily declining? Bruce Resnikoff, CEO of Universal Music Enterprises and Verve Music Group, said when we exchanged emails recently that these releases are aimed at &#8220;a very committed and active segment of the music-buying public who crave both quality music and packaging the way art collectors crave a classic painting or an iconic photo. This has become even more apparent as the industry has shifted from a purely physical model to a digital model.&#8221; Universal releases most of its deluxe boxed sets on its Hip-O imprint, including last year&#8217;s very successful Ella Fitzgerald four-CD set &#8220;Twelve Nights in Hollywood&#8221; (reviewed in these pages) and, more recently, the excellent three-CD &#8220;Nat King Cole—Riffin&#8217;: The Decca, JATP, Keynote and Mercury Recordings.&#8221;</p>
<p>Michael Cuscuna, president at Mosaic Records (which practically invented the jazz boxed set for the CD era), feels that such packages are thriving while &#8220;physical CDs are in free fall because, for the collector or gift-giver, they are something historic and substantial. The major labels have labored to include lots of bells and whistles: A DVD is almost mandatory these days.&#8221; Incidentally, while the &#8220;Genius&#8221; box, atypically, does not include any video component, Sony has also issued two new deluxe editions of the classic 1969 album &#8220;Bitches Brew&#8221; that both contain a DVD of a previously unissued Copenhagen concert from that year. (The &#8220;Legacy Edition&#8221; of &#8220;Bitches Brew&#8221; contains two audio discs plus the DVD; the &#8220;40th Anniversary Collector&#8217;s Edition&#8221; consists of three CDs and two LPs in addition to the DVD. Neither of these are to be confused with the four-CD &#8220;The Complete Bitches Brew Sessions&#8221; box, originally released in 1998, that is included in the &#8220;Genius&#8221; set.) </p>
<p>Mr. Cuscuna, who produced most of the individual sub-boxes being re-reissued in the trumpet case, adds, &#8220;Much as the business plan for the Lamborghini Murciélago is different from the Toyota Prius, the &#8216;Genius&#8217; set does not need to sell in volume to be highly successful.&#8221;</p>
<p>It&#8217;s good news that companies like Sony-BMG and Universal are keeping iconic music in print; the only downside is that they seem to be constantly repackaging the same albums and artists over and over while even slightly less celebrated performers are overlooked. And while the packaging of the &#8220;Genius&#8221; box is the most ostentatious, it&#8217;s hardly the biggest box that Legacy has produced. That honor would go to &#8220;Miles Davis—The Complete Columbia Album Collection,&#8221; released last year: 71 CDs and a comparative bargain at $365 (a little more than $5 a disc). </p>
<p>Obviously, the music and the continuing popularity of Miles Davis are both sturdy enough to withstand such constant scrutiny. Davis—who is perhaps the only jazz musician in recent history with the following of a pop-music superstar—is surely the only trumpet player who will ever get this kind of treatment. The next big-ticket item on Legacy&#8217;s schedule is &#8220;The Complete Elvis Presley Masters,&#8221; a 30-CD box commemorating what would have been the King&#8217;s 75th birthday. And to answer your next question—no, it&#8217;s not shaped like a giant hound dog.</p>
<p>    <em>Mr. Friedwald writes about jazz for the Journal.</em>   </p>
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		<title>&#039;Glee&#039; cast: Show us the money!</title>
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		<pubDate>Tue, 31 Aug 2010 04:00:14 +0000</pubDate>
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		<description><![CDATA[Glee didnt win the big comedy Emmy, but that may not be the shows biggest stiff. E! reports cast members are unhappy they were largely cut out of a music deal between show creator Ryan Murphy and Sony Music. Cory Monteith (Finn) and Mark Salling (Puck) told D.C.s Hot 99.5 they havent seen much in [...]]]></description>
			<content:encoded><![CDATA[<div>
<div readability="11">
<p>Glee didnt win the big comedy Emmy, but that may not be the shows biggest stiff.
</p>
<p>
E! reports cast members are unhappy they were largely cut out of a music deal between show creator Ryan Murphy and Sony Music.
</p>
<p>
Cory Monteith (Finn) and Mark Salling (Puck) told D.C.s Hot 99.5 they havent seen much in the way of royalties.
</p>
<p>
I got 400 bucks from it going to No. 1, Monteith said of Glee: The Music  Journey to Regionals. But you know what, thats OK, because if Im patient, and this thing does really well, maybe Ill see another 400 bucks.
</p>
<p>
Listen to the show segment <a rel="nofollow" href="http://www.eonline.com/uberblog/b197870_glee_cast_show_us_money.html"  target="_self">here</a></p>
<p>.
</p></div>
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		<title>Get A Free Apple Store Gift Card!</title>
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		<pubDate>Tue, 31 Aug 2010 03:44:38 +0000</pubDate>
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		<title>Defining Signals for Sound</title>
		<link>http://www.sonicmusicproduction.com/make-beats/defining-signals-for-sound/</link>
		<comments>http://www.sonicmusicproduction.com/make-beats/defining-signals-for-sound/#comments</comments>
		<pubDate>Sun, 13 Jun 2010 02:51:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[Balance]]></category>
		<category><![CDATA[Beat Making]]></category>
		<category><![CDATA[Consistency]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Delay]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Dynamic Processing]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[Equalization]]></category>
		<category><![CDATA[Equipment]]></category>
		<category><![CDATA[Filters]]></category>
		<category><![CDATA[General Music Production]]></category>
		<category><![CDATA[Harmonies]]></category>
		<category><![CDATA[Learn]]></category>
		<category><![CDATA[Make Beats]]></category>
		<category><![CDATA[Music Mix Software]]></category>
		<category><![CDATA[Music Mixing]]></category>
		<category><![CDATA[Music Production How-To's]]></category>
		<category><![CDATA[Music Production Programs]]></category>
		<category><![CDATA[Music Production Software]]></category>
		<category><![CDATA[Music Studio]]></category>
		<category><![CDATA[Musical Arrangement]]></category>
		<category><![CDATA[Noise Reduction]]></category>
		<category><![CDATA[Online Beat Making]]></category>
		<category><![CDATA[Online Music Production]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Reverberation]]></category>
		<category><![CDATA[Sound Wave]]></category>
		<category><![CDATA[Wave File]]></category>
		<category><![CDATA[Eqaluzation]]></category>

		<guid isPermaLink="false">http://www.sonicmusicproduction.com/?p=253</guid>
		<description><![CDATA[In recording, there are a variety of ways to capture the sounds that you want and to filter out the ones that you don&#8217;t want.  These are all done through the capacities of equipment parts known as signal processors.  Typically, signal processors will be used during the pre-mixing and mixing stage as well as the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-254" title="Sound Wave" src="http://www.sonicmusicproduction.com/wp-content/uploads/2010/06/sound_wave.jpg" alt="Sound Wave" width="280" height="210" />In recording, there are a variety of ways to capture the sounds that you want and to filter out the ones that you don&#8217;t want.  These are all done through the capacities of equipment parts known as signal processors.  Typically, signal processors will be used during the pre-mixing and mixing stage as well as the set up of instruments.  They are also used as a combination of defining what the instruments need to turn into a wave and what the mixing can do to make the instruments sound at their best.  Following are some basic signal processors you should know.</p>
<p><strong>Equalization</strong>.  This is also known as EQs and is used in a variety of places of the recording process.  The main part of this is to create a balance between the ranges that are within each instrument, from the low to the mid and high ranges.  Equalization processors can be found in mixing boards as balance knobs as well as specialized functions in different types of software.</p>
<p><strong>Filters</strong>.  This is done to take out the extra sounds that don&#8217;t fit into the song.  For example, if you have a buzz or white noise that you can&#8217;t get out physically, you can filter the sound and allow for only the clarity to come through.  This is done by isolating the wave and recalculating the wave instead of the noise underneath.</p>
<p><strong>Reverberation.</strong> This is an effect that is used after the instruments are recorded into the software.  Reverb allows for the resonance that would be heard in a natural setting to be implemented into the song.  This type of setting works best for sounds that are already clear and need an extra effect to them.</p>
<p><strong>Delay</strong>.  This is the echo effect of signal processors.  Delays come in a variety of formats, ranging from changing the room to a larger room to an echo effect that stops the sound from occurring by milliseconds.  Depending on the technique and sound you are trying to create, you can use this specific tool to create a completely different sound in your music.</p>
<p><strong>Dynamic Processing.</strong> This consists of a variety of options for recording, all which take place at the very beginning of the process of recording.  The first type of processing is compression in which the wave will be limited to certain peaks on both sides, allowing it to stay closer to the middle.  The second type of processing is expansion, in which the waves move to higher peaks that are away from the middle.  Limiting is the third option, and stops the notes from sounding for a longer period of time.  The last type of dynamic processing is noise gates, which stops certain sounds from being recorded, especially if it is based around the resonance of an instrument.</p>
<p><strong>Noise Reduction.</strong> This is done in order to dampen the noises that are being heard through the recording process and is typically done at every step of recording.  Noise reduction will include the ability to limit sounds and to reduce the lows or highs that don&#8217;t need to be heard with certain sound effects.</p>
<p>These main signal processors are used in order to control the recording process and sounds as well as to create the desired effects for the end result.  By using these different components at different times, it becomes easier to effectively create the sound you want through your recordings.</p>
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		<title>Choosing Your Mixing Board</title>
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		<pubDate>Wed, 09 Jun 2010 18:42:41 +0000</pubDate>
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				<category><![CDATA[Analog]]></category>
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		<description><![CDATA[The realizations that have grown in the studio for mixing are ones that have also led to new applications and ideas for assembling the right mix of instruments. Using this, there has come a number of technologies and options so that you can make sure that that every type of studio can easily adjust sound [...]]]></description>
			<content:encoded><![CDATA[<p>The realizations that have grown in the studio for mixing are ones that have also led to new applications and ideas for assembling the right mix of instruments. Using this, there has come a number of technologies and options so that you can make sure that that every type of studio can easily adjust sound waves within the recording area. These techniques are providing for much better mixes and blends within each and every piece of music. Knowing the characteristics of different mixing boards can assist you to decide what is your best option.</p>
<p>– <strong> Selection of input devices. </strong>Each and every mixing board has a set of number of channels. These channels will allow for one instrument to be placed within the mixing board. Maybe you have heard of concepts like the &#8217;24 mixer&#8217; or &#8217;36 mixer&#8217;. The numbers that are being referred to are the channels used, each one allowing for an instrument to be in it&#8217;s place. Before getting a mixing board, you should think of how many channels you&#8217;ll need in the past, situated on the amount of instruments you want or need to have to record at once.</p>
<p>–    <strong>Different purposes for different environments.</strong> There are diverse new developments that are used for different areas of mixing. For the reason that a sound board has kid adapt to both the software for recording but for the mix of instruments, various kinds of mixers will be available. Many of these will be focused on performance mixing while others will be purely for the studio. You are able to identify which is being used in line with the level control features and the way the sound board is built.</p>
<p>–    <strong>Analog or Digital.</strong> Technology innovations with mixers are continuously re-defining the best and latest versions of mixers to use within recording. This has rapidly made a transition from analog to digital mixers. Analog mixers are defined by wired controls that mix in adjustments and live sounds. Digital mixers; however, will use a digital interface in between. In most cases, the mixing difference can be heard in the sound plus the options for mixing. Due to the fact digital is using later technology, now it is moving into innovations such as audio streams, all-in-one editing options and more possibilities for controlling volume and input of the sound being used.</p>
<p>–    <strong>Extra effects. </strong>Regardless of what type of mixer you want to into, you always want to observe the little knobs that are an element of the mix. According to the mix and make of the sound board, additionally, you will have different signal options along with volume control options, dependent on the mixer. The more complex you would like to make the mix, or the more instrumentation you have, will also enable you to decide on what effects you need to take place in the mix and before the sound recording. You should keep in mind that, with these effects, they cannot be undone when they are recorded that way as sound waves, meaning you should be cognizant of what is working and what doesn&#8217;t in the mix.</p>
<p>–   <strong> Interactions with software. </strong>Your mixing board not only offers you possibilities for pre-recording, but also needs to have choices with how it interacts with the software. Besides each mixing board have different features within the board itself, but can also interact with the software in certain ways to be able to mix together the sound waves in a certain way. You should ensure that you have a mixing board that compliments your software system.</p>
<p>If you keep these things in mind with the right mixing board, it will save you time, money and permits for the right sound to be constructed from what you will be creating. Your end option could be the ability to customize your sound and to create certain controls within your music that best fit what you need to do. By recognizing the different qualities of mixing boards and how they can meet your needs, you will see enable you to have the best recipe for your instrumentation mix.</p>



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		<title>A Wave File Is A Wave File</title>
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		<pubDate>Wed, 09 Jun 2010 00:47:19 +0000</pubDate>
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		<description><![CDATA[Software products, theories and preferences within the recording industry have taken over the best to the worst options in what to use to recieve the perfect CD. Recording engineers and specialists always spend their time thinking about the ultimate way to mix and master a wave file and exactly how to really get the job [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright size-medium wp-image-248" title="Wave File" src="http://www.sonicmusicproduction.com/wp-content/uploads/2010/06/lesson32-300x155.gif" alt="Wave File" width="300" height="155" />Software products, theories and preferences within the recording industry have taken over the best to the worst options in what to use to recieve the perfect CD. Recording engineers and specialists always spend their time thinking about the ultimate way to mix and master a wave file and exactly how to really get the job done. However, the call to have specific measurements for different software and hardware is engineered to be not necessarily important.</p>
<p>Regardless of what you record with, the brand that you use or the software that is the part of your studio, there is only one general rule you need to remember. That is that a wave file is just a wave file. The sound that goes into the computer from your instrument will be that same wave file, it doesn&#8217;t matter what you use, change or create to really make it the perfect wave file.</p>
<p>Consequently the software that you use, the way that you plug in your information for recording and the type of instruments you use will all result in the same thing. The sound wave. Regardless how many theories or ideas cross over into what the &#8216;best&#8217; is, it always comes back to this one general term. This is important not only to not become overwhelmed by the number of information available, but also to recognize that the entire process of recording is based around this one concept and how one can use it the best.</p>
<p>What one should be checking out the wave files is what can be done so as to create the best sound. You want your mixing and mastering to cause you to the sound that fits you to be a unique and creative sound. You also would like it to keep a certain level of control with volume as well as clarity. With every step in the mixing and mastering process, this is exactly what should be in mind first, not necessarily what you go through to be there.</p>
<p>Beyond this, your rule of thumb should be making the wave files to perform at their best. This relates to taking good care of the peaks and the low points so that it sounds somehow that is most effective to whatever format you are putting it in, plus the abilities to create a complete sound to the ear.</p>
<p>The reason why these should have priority is because it is the demonstration of the wave file to the ear that becomes the most crucial thing in the long run. When you can remember this as your end goal with the recording, you can go through whatever is needed to make the correct associations with the songs that you&#8217;re playing.</p>
<p>The importance of the wave file is that it&#8217;s your communication of music. For that reason, you want to make certain that you use the correct tools and the ones that are best suited to things you need. This isn&#8217;t something that needs to be associated with the instrumentation, software or amount of things that you&#8217;ve in your studio. Find out using a wave file and how to create the best sound, than you are moving toward making a professional CD.</p>
<p>Want to make great sound beats? <a href="/dubturbo"><strong>Try Dub Turbo</strong></a>.</p>



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		<title>10 Tips For Producing A Better Song</title>
		<link>http://www.sonicmusicproduction.com/make-beats/10-tips-for-producing-a-better-song/</link>
		<comments>http://www.sonicmusicproduction.com/make-beats/10-tips-for-producing-a-better-song/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 21:22:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[Balance]]></category>
		<category><![CDATA[Beat Making]]></category>
		<category><![CDATA[Beginner Music Production]]></category>
		<category><![CDATA[Consistency]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Form]]></category>
		<category><![CDATA[General Music Production]]></category>
		<category><![CDATA[Harmonies]]></category>
		<category><![CDATA[Learn]]></category>
		<category><![CDATA[Make Beats]]></category>
		<category><![CDATA[Movement]]></category>
		<category><![CDATA[Music Mixing]]></category>
		<category><![CDATA[Music Production How-To's]]></category>
		<category><![CDATA[Music Production Studio Equipment]]></category>
		<category><![CDATA[Musical Arrangement]]></category>
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		<category><![CDATA[Online Music Production]]></category>
		<category><![CDATA[Tempo]]></category>
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		<category><![CDATA[Songs]]></category>
		<category><![CDATA[Spacing]]></category>

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		<description><![CDATA[When you are planning to step into a studio to record, make sure that you start thinking before you ever put foot towards the microphone. Though recording has allowed for new wonders and prospects to be met with music, there remains the have to do some old fashioned needs to make certain that your songs [...]]]></description>
			<content:encoded><![CDATA[<p>When you are planning to step into a studio to record, make sure that you start thinking before you ever put foot towards the microphone. Though recording has allowed for new wonders and prospects to be met with music, there remains the have to do some old fashioned needs to make certain that your songs are worth the extra track. Following are ten tips that you can remember to be sure you have the arrangement correct beginning recording.</p>
<ol>
<li><strong>Balance.</strong> Is your instrumentation balanced? You should have an even amount of ranges, from low to high. When you&#8217;ve got an excessive amount of one and not enough of another, your recording perhaps might not sound so good.</li>
<li><strong>Harmonies.</strong> You want to make sure that there is some effective backing going into the melody of your music. Without the right harmonies, or alternative sounds to the melody, it will sound like your song is missing a form of the puzzle.</li>
<li><strong>Musical arrangement. </strong>This is centered completely around the opportunity to organize the instrumentation in the song. Not only should it be balanced, but it should also include contrasts and similarities in how the music follows what you really trying to say. In case you are stuck with creating instrumentation that fits, get into some basic theory concepts to assist you.</li>
<li><strong>Spacing.</strong> More essential than each of the melodies and harmonies, is the room that you spend between each. Therefore you don&#8217;t want to rush through your tune and you won&#8217;t want to take too much effort. Make sure that you give some breaks with melodies and change up the harmonies enough to keep it appealing and moving efficiently.</li>
<li><strong>Tempo. </strong>Often times, it is assumed that there&#8217;s a specific tempo what is going on it. However, you want to make certain that your tempos are recognized and everybody follows them without missing a beat. Once you get into the studio, you wouldn&#8217;t want a single thing to be off by a second, as it will cause the recording to grow to be tough to lay down.</li>
<li><strong>Form. </strong>The simplest way for a crowd to associate to your song from the start is to have the right form. Should you be focused on lyrics, this would be the hook which is used throughout the chorus. In case you are experimenting with form, make sure being successful a place in the music that extends back and preserves the focus of the listener to being able to connect to the music.</li>
<li><strong>Variety.</strong> One of many disregarded parts of arranging is the variety that influences song. Because of this, while you are repeating choruses or verses, just remember to have some different movement or instrumentation in your recording.</li>
<li><strong>Mobility.</strong> The mobility of the track goes beyond the tempo and into the extra small things that you with a recording. And this will make or break a track. Details that include louds and softs, ornamentation and additional small add ons will assist you to move the song properly.</li>
<li><strong>Constancy.</strong> Combined with wide range of the song should be a certain consistency that lets the song fit mutually. This partly is related to are the song and also links to things such as tying the song plus the right lyrics and musical methods. Within wedding attendants areas, you could have some diversification, but make certain that the frame work allows the listener to follow that which you are doing.</li>
<li><strong>Vision.</strong> Certainly, this should in no way be left out. All too often are musical ideas that are heard that are close to what was heard before. The first rule to a good song should be to let yourself go, follow your creativity and to let the rest fall into place.</li>
</ol>
<p>With these simple tricks are ways you can boost your song and get it recording equipped. From this, you&#8217;ll be able to make sure that your melodies and pieces are polished, stay ahead of the audience and get your voice heard throughout other musicians.</p>
<p><a href="/dubturbo"><strong>Learn how to make great music with Dub Turbo!</strong></a></p>



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		<title>What Is The Basic Difference Between Music Production And Sound Engineering?</title>
		<link>http://www.sonicmusicproduction.com/make-beats/what-is-the-basic-difference-between-music-production-and-sound-engineering/</link>
		<comments>http://www.sonicmusicproduction.com/make-beats/what-is-the-basic-difference-between-music-production-and-sound-engineering/#comments</comments>
		<pubDate>Wed, 02 Jun 2010 05:20:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[Beat Making]]></category>
		<category><![CDATA[Equipment]]></category>
		<category><![CDATA[Make Beats]]></category>
		<category><![CDATA[Music Production How-To's]]></category>
		<category><![CDATA[Music Production Programs]]></category>
		<category><![CDATA[Music Production Studio Equipment]]></category>
		<category><![CDATA[Music Studio]]></category>
		<category><![CDATA[Online Beat Making]]></category>
		<category><![CDATA[Post-Production]]></category>
		<category><![CDATA[Pre-Production]]></category>
		<category><![CDATA[Rap Beats]]></category>
		<category><![CDATA[Rap Music]]></category>
		<category><![CDATA[Music Production]]></category>

		<guid isPermaLink="false">http://www.sonicmusicproduction.com/?p=239</guid>
		<description><![CDATA[Audio production entails developing the background music from scratch and music engineering entails mixing the actual various instruments together so that it sounds good. I will reveal both areas as they attribute to D.J.&#8217;ing, yet more so on the production end. For most proven D.J.&#8217;s&#8211;which means those who have been D.J.&#8217;ing for some time whether [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-240" title="Sound Engineer" src="http://www.sonicmusicproduction.com/wp-content/uploads/2010/06/soundengineer.png" alt="Sound Engineer" width="210" height="237" />Audio production entails developing the background music from scratch and music engineering entails mixing the actual various instruments together so that it sounds good.</p>
<p>I will reveal both areas as they attribute to D.J.&#8217;ing, yet more so on the production end.</p>
<p>For most proven D.J.&#8217;s&#8211;which means those who have been D.J.&#8217;ing for some time whether it&#8217;s within their bedroom or even within a club&#8211;audio production is the following logical step. Since D.J.&#8217;s perform many different types of audio music, they come across plenty of beats as well as sound variations. This encourages some D.J.&#8217;s to sample individual beats and sounds to make up their own song pieces.</p>
<p>Here is the start of the music production stage. You will find 3 phases to music production: pre-production, music production, and finally post-production.</p>
<h2>Stage One: Pre-production</h2>
<p>The background music production stage is the creation of a brand new tune. We refer to this as the pre-production phase because you are simply experimenting with music. This is when audio from the record or mp3 is sampled using a sampler or even drum device like an Akai MPC. But before you can test as well as create audio, you have to make certain your gear is properly connected:</p>
<p>To allow myself to test sounds into my Akai drum device I have my personal Technics turntable going to the phono input of my personal stereo system unit. Next I take the phono out of my personal stereo device to the input of my personal MPC 3000. My personal MPC gets connected to my Akai Damage dealing twenty-four.Then your DSP twenty-four is actually attached to the CC input from the stereo system unit in order to listen to what I create.</p>
<p>To sample, I must make certain I find the phono option on my personal stereo device. After I sample, the actual sounds need to switch towards the CD choice upon my stereo system unit so we could hear the playback from the drum machine. As soon as you&#8217;ve completed your musical arrangement and preserved your function and you are pleased with it you are able to go into the part two from the pre-production phase.</p>
<p>This stage is when you make artists perform on you track. This particular phase deals with beginning to rearrange the track or audio which you created using the artists performances. This time period enables you and also the artists to create small changes to the background music and the vocals. You can even increase or even take away parts of the track like adding extra drums or strings. The performers may exercise their own tune using your track. As soon as this becomes tightened, you can move to the music studio in order to lay the music and the vocals upon separate recording paths. The key reason why you would like to practice prior to using the studio is because studio usage time is very expensive as well as you don&#8217;t want to spend your time practicing in it. You need to concentrate all of your time ensuring the music and vocals tend to be recorded cleanly without having any pops or clicks.</p>
<h2>Stage Two: Audio Production</h2>
<p>When you are moving towards the studio, this is where the actual sound engineer is needed. This particular person is in charge of ensuring everyone&#8217;s audio sounds excellent. These people possess years of experience. Some D.J./Producers additionally prefer to engineer their own music because they know how they want their audio to sound. If this is the case then the sound engineer simply assists the actual D.J. with mixing the background music and using the actual studio gear.</p>
<p>The blending component from the music production stage is performed in the studio where every one of the music paths as well as vocal tracks are combined together to provide you with what you listen to on your CD.</p>
<p>Each and every musical instrument as well as vocal track is mixed and altered using what is known as the combining board such as my personal Akai DPS24, just larger, or a software-based combining console like Seasoned Resources.</p>
<h2>Stage Three: Post-Production</h2>
<p>After the blending is done the actual post-production procedure starts. The final music mix is taken to what is called the Mastering Studio where specific equipment is used to enhance the perfect sounds. When this method is actually completed the final results from the tune are then produced on CDs or vinyl discs as well as sold to clients and customers.</p>
<p>Want to learn how to make great music beats for yourself? Check out <a href="/dubturbo"><strong>Dub Turbo</strong></a>.</p>



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		<title>Six Essential Rap Beat Making Tips</title>
		<link>http://www.sonicmusicproduction.com/make-beats/six-essential-rap-beat-making-tips/</link>
		<comments>http://www.sonicmusicproduction.com/make-beats/six-essential-rap-beat-making-tips/#comments</comments>
		<pubDate>Sun, 30 May 2010 18:34:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Hip Hop Beats]]></category>
		<category><![CDATA[Make Beats]]></category>
		<category><![CDATA[Music Mixing]]></category>
		<category><![CDATA[Online Beat Making]]></category>
		<category><![CDATA[Rap Beats]]></category>
		<category><![CDATA[Rap Music]]></category>
		<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[Beat Making]]></category>
		<category><![CDATA[Hip Hop]]></category>
		<category><![CDATA[Rap Beat Making]]></category>

		<guid isPermaLink="false">http://www.sonicmusicproduction.com/?p=235</guid>
		<description><![CDATA[With regards to making rap audio beats, I get lots of questions about where to begin, exactly what software program as well as hardware to use, and just how every thing works together. Here are six essential tricks to think about when generating a rap music beat: 1. Invest in a midi-compatible keyboard. A few [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-236" title="Where has all the good rap gone?" src="http://www.sonicmusicproduction.com/wp-content/uploads/2010/05/rap4.jpg" alt="Where has all the good rap gone?" width="300" height="300" />With regards to making rap audio beats, I get lots of questions about where to begin, exactly what software program as well as hardware to use, and just how every thing works together. Here are six essential tricks to think about when generating a rap music beat:<br />
<strong><br />
1. Invest in a midi-compatible keyboard.</strong> A few producers try to plan their beats using their only their mouse and keyboard. Although this can function substantially, you will discover that it is easier to utilize a midi-compatible keyboard set when making hip hop music. Using a keyboard set may allow you to test packed sounds easier, play chord sequences, as well as program natural-sounding note sequences. Without them, everything should be done by tediously encoding each and every sound manually.</p>
<p><strong>2. Remember to understand your own software package. </strong>Regardless of whether you use Spicey Coils, Cause, Judgement, Cubase, or even any other software program with regard to beats, we cannot stress how essential it is in order to thoroughly learn how to use your own music software program. Read the manual, view video tutorials on Youtube, study content articles, and most importantly of all, test out the actual beat software hands-on. Once you discover the particulars of your own software program, you&#8217;ll ultimately be able to convert any music concept you&#8217;ve on to the display and into your own rap music beat.</p>
<p><strong>3. Never underestimate good sounds.</strong> It is vital that you simply steer your self away from the manufacturing plant predetermined sounds in your software program and invest some money in great sounds for your rap music beats. You can buy sounds for almost any audio software program. A lot of websites even have samples of their own sounds to help you hear all of them before you purchase.</p>
<p><strong>4. Understand good combining methods.</strong> When generating hip hop audio beats, do not undervalue the importance of good combining technique. Your own mixing abilities will make or break your own beat. You might have set down the best melody of all time, but if the beat is actually mixed inadequately, it&#8217;ll sound poor. Like a professional producer, your work is not always to make a “final” mix of the audio beat, because the vocals will nevertheless need to be added and the facilities engineer may still need to tweak several things once the vocals are finished. You need to however, perform the very best you can together with your gear to manufacture a strong, nice mix for the hip hop audio beat.</p>
<p><strong>5. Pay attention to numerous styles of music.</strong> To become the well-rounded music producer, make sure you familiarize yourself as well as pay attention to different kinds of music. Hearing music other than hip-hop will open your brain up to new types of note sequences, drum designs, blends, and general song composition. This particular audio will be inlayed into your unconsciousness, and regardless of whether you realize it or not, you may have an optimistic impact on your capability to help to make rap audio beats.</p>
<p><strong>6. Produce hip hop music because you ENJOY it!</strong> In today’s age, it is evident that a lot of suppliers make rap beats simply because it&#8217;s now feasible to make money selling all of them online. You will discover this as soon as you ignore the association of money along with audio, you&#8217;ll have a lot more fun producing music. If you&#8217;re talented and wish to produce audio from interest, the cash can come eventually!</p>



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